Avid media composer icon3/18/2024 ![]() These 4 tips form the basis for my interactions with our picture editing counterparts and keep my projects rolling smoothly. This time, armed with a copy of Avid’s Media Composer supplied to me by Avid, I can provide insight to aid in the critical interactions between audio and video operations. Though I often refer editors and mixers to our article How To Export A Pro Tools Friendly AAF From Avid Media Composer the aim of this article is a bit different. ![]() ![]() Since 2006, I’ve imported and exported media between Avid’s Pro Tools and Media Composer systems hundreds of times, to the point where while I’m working with picture editors and their assistants, I’m able to effectively stave off issues before we start post production on any given project. The workflow now included Media Composer, Interplay, ISIS and of course, Pro Tools. Since I had received training for the Olympics, I helped co-author the CBC’s ‘Best Practices Manual’ for the new Media Composer-centric workflow. Not long after I returned to my regular job, the post production department I worked in dumped our reference video tape machines (Digital Betacam and Betacam SX) and went with a fully nonlinear workflow. I am not a video editor but being entrenched in a unit largely populated by picture editors for a month, I received a unique level of insight into how picture editors work.
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